What Movie Have You Seen Today?

That is one of the things that I liked about it. Philips created, to my mind, an interesting mix of comic book and reality and musical that kept me interested (and I saw it during the New York Film Festival). I was struck by the film’s air of melancholy, which was there from the start.

JOKER FOLIE A DEUX is one of those movies that come after a filmmaker’s great success: APOCALYPSE NOW; A PERFECT WORLD; CATCH-22; NEW YORK, NEW YORK. What Mike Nichols called a "green awning movie. " Sometimes they are not half-bad.

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Just read that Juror #2 is only playing in 50 theaters in the US and Warner Bros. has no plans for a wide release. Just another colossally dumb decision, in a series of dumb decisions from WB head David Zaslav, who I think genuinely hates movies.

I’ll have to make a three hour drive to Dallas next weekend to see it. IF it’s still playing.

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I salute your dedication, and hope it is still playing for you.

And for such a drive, I would see it twice (but then I am an Eastwood champion).

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Wonderful, thank you for your as always insightful review. I am also an Eastwood champion, and reading the reports on the release „strategy“ I really wonder why WB‘s current regime is still there.

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Coherence, 2013 mind bender about an infinite number of realities that collide when a comet passes over. I think I’ll need to watch it again to understand it … and make sure I don’t have anything to drink beforehand.

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Music by John Williams (disney+)

Being introduced to film scores through his music, growing up and leading my whole life up to now listening to his music, watching and loving the films he absolutely enhanced, this documentary was a constant threat to my tearducts, making me sentimental with every clip, and sometimes just watching this man who is the definition of feeling trememdous joy at work and succeding through his singular gift.

A true feel good movie.

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One of the better reviews of JUROR BOND 26 (title tba)

Nayman had the courage to go where I did not in my brief review for the community: “at the risk of being glib about a movie that’s dead serious about the failings of individuals and institutions alike, Juror No. 2 plays as an amalgam of John Grisham and Robert Bresson.”

Bresson did flash through my mind during the screening.

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John Williams is the one rare person in the media industry I’ve never heard criticism about. Even kids young enough to be my own kids know and love his work. The only debate I’ve seen about him is which one of his scores is the best. It changes on a regular basis for me. My teachers often his music played class. That was awesome.

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I watched Music by John Williams the other night. It’s so good and honestly it could have been a Ken Burns style mini series covering multiple films in depth. So happy he’s still with us.

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Longlegs

It’s intriguing and builds its suspense and dread with effective cinematography, set design and sound design, and Nicolas Cage with makeup and prosthetics is grotesquely scary. But then the third act explains everything which was unsettling, and suddenly it all becomes rather unsurprising and simple, while neglecting the supporting characters.

Osgood Perkins is definitely a directing talent to watch, and his King adaption of „The monkey“ has a very good trailer, But this film, I get the feeling, was ruined by the studio demanding everything gets overexplained in the end.

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Confirmed: JUROR #2 leaves theaters in two days. End times have arrived.

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As one who does not enjoy the cinema experience anymore I welcome any new movie to be available in my home.

What I don’t welcome is great movies being deprived of their chance at being successful by ignorant beancounters who have no interest in great movies, only trying to make stockholders happy, completely disrespecting legendary filmmakers who built the fortune of these studios.

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Thanks SAF.

Saw it again last night. Husband liked it, and thought the ending was just right, which is a high compliment from him. He always complains about films that have movie/contrived endings, rather than realistic ones (he also thinks most movies go on too long).

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I completely agree.

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By the way, WB‘s Zaslav…

Yep, he is that kind of guy.

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Fearless

Peter Weir´s story about a plane crash survivor (Jeff Bridges delivering a masterclass in acting) who believes he now is invincible and wants to help a fellow survivor, a mother who lost her baby in the crash because she could not hold on to it, was shamelessly underrated in 1993 and is almost forgotten today.

Yet, it is one of the best films of the 90´s, devastatingly raw and honest, right up to the immensely powerful yet surprisingly upbeat ending.

If you have never seen it, do yourself a favor and subject yourself to this emotional powerhouse, directed so wonderfully and with such subtlety that one wonders whether this kind of movie will ever be made again in the future.

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Deadpool and Wolverine

I must say: I rewatched the first two parts a couple of weeks ago, and somehow Reynold´s meta-cynism hit me in the sweet spot. They both are movies which celebrated irreverence and and intentional “don’t give a f-” towards the genre - and suddenly I felt eager to watch the third part which became one of the biggest blockbusters of the year and probably the last years or decades (I just don’t care enough to google it, since I did not have my money invested in it.)

So, the third film. It goes even more meta on everything. And then it drags the not that really hidden sentimentalism of the first two films into this, too, with the return of Wolverine (whose death in “Logan” reportedly was what is responsible for Craig enforcing his death wish which started before CR finally with NTTD or as it should be called TTD).

The immense success of this movie seems to tell me the following:

  1. After a string of lackluster Marvel movies the nerds just ate this up repeatedly because they could see their favorites (and many of the not favorites in order to make fun of them) again.

  2. America (and the world, let’s face it, this movie was huge everywhere) had already reached the point of total cynicism this summer. Nobody cares about an interesting plot or great, heartfelt characters anymore. Just give us the barest clichéd outline for what passes for motivation, and then ridicule everything, have lots of disposable “people” die in the cruelest, bloodiest way because nowadays that is like “prank”-funny (despite people being slaughtered right now in ongoing wars), and nothing matters anyway because like in a video game everybody can come back and only feels the slightest pain for a few moments and then heals perfectly. Life has NO CONSEQUENCES.

Again, this was months before the Election.

  1. Also, even if this third movie is incredibly different from the first two in terms of pacing and incidents (before: fast, forceful, well-placed), people just don’t care. This third movie is basically long expositional dialogue, then action figures beating each other up with no effect, only rage/hate, some of it turning into bro-love, and… well, repeat this until the end.

At some point the audience has to realize that this is all for nothing, right? It not even really makes fun of Marvel despite all the lip-service, because it does exactly what every Marvel movie does and ends with. So, while it is funny when Reynolds says to Jackman that “they will make you do this until you’re 90”, it is not at all a biting commentary but a fact, and Disney would just agree und shrug: Yeah, as long as it´s making money.

And I fear that many fans will say: Yeah, because we don’t want anything else.

It´s like turning on a “Spotify list” because it´s popular and fills the air. Why carefully selecting music you really feel connected to when you can just let this wash over you? It sounds all the same anyway.

And yes, I’m an aging man of 55. But I was young once, too (shock!), and when I look back at all the popular entertainment of my youth - all of it was so much more interesting, even when a formula was repeated, creativity was finding its way. And no, this is not a “the past was better than today”. Only some things in it actually were better than today.

As for the “Meta”-aspect: have we forgotten, as a society, to actually take things seriously? If we always make fun of everything, even just to protect ourselves, everything will seem inconsequential.

Maybe we have to feel consequences again in order to wake up.

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Horizon - An American Saga (Chapter 1)

Critics ridiculed Costner for financing this ambitious four film-project with his own money and gleefully pronounced it a flop, called it tedious and boring, “with a scattershot plot which would have better be told as a tv series”.

Now, the second film, already finished, has been postponed, only a few scenes of the third film were shot, and Costner apparently is working next on another project, with “Horizon” on hold. Although, Costner, I’m sure will find a way to complete the remaining two films anyway.

And he should.

Yes, the whole measure of this enterprise will only be discovered when looked at in context of all the four movies. Yes, the idea of doing this as three-hour long movies on the big screen was ambitious to say the least, probably foolish because in today’s cinema climate there was no way the first film could succeed. Yes, it does speak of Costner´s ego to do this anyway, and maybe he did really think that he could bring in all the millions of people who watched him in “Yellowstone”.

But why are people so full of schadenfreude when dreamers like Costner or this year also maestro Coppola invest not only their creative power but also their money to bring their visions to the screen? They only had to do this because the studios don’t finance films anymore which cannot be pre-sold via IP. In fact, most of those movies which are being hailed as classics today would not get the green light now. This is not a development anyone who loves cinema should shrug off or laugh at. This is a devastating blow to the art form and to the power of communication great movies can achieve. Without them we all are poorer.

But hey, you might say, what if those personal visions just aren’t, you know… good?

I haven’t seen “Megalopolis” yet (but intend to do so).

However, “Horizon - Chapter 1”, is a magnificent movie. It is about the way America developed, through a terribly violent and unjust clash of the human beings who were born there and those who came from the other side of the ocean, trying to make a fresh and promising start here. The film also shows how diverse the intentions of everybody involved were. There is no good vs evil, but a lot of conflicting emotions which made it impossible for everybody to get along and find common ground.

“Horizon” is not a classic Western, although it uses iconic images and plot ideas. It is rather a film about today by being set in the past, showing history as a mirror to all the basic conflicts which kept on haunting humanity up to this day.

Is it boring? Not at all. Every scene is loaded with conflict and tension, propelling the story threads forward. And since this is only part one, of course, no conflict gets solved. This is a film with an open ending, a continuing story, and that’s what it had to be.

Is the story scattershot and unfocused? No, it is a multi-perspective narrative which follows different people. Maybe the poster and also the trailer misled people to think that Costner has the leading role. He hasn’t. He is part of the ensemble, and so far, only a few storylines have interconnected. They probably will do so even more in the upcoming installments.

Is that a problem? Not for me. Despite being three hours long I was hooked from the beginning and invested in every scene. Time flew by so fast I was actually sad it ended. I could have easily stayed and watched the next film.

Maybe people did expect a clear one hero-narrative like “Dances With Wolves”. But “Horizon” is completely different. It is also very raw, uncompromising, unflinching in its depiction of human beings in crises, and make no mistake: living in that time was an ongoing crisis. Yet, people earned moments of decency and hope, even if they had to do anything for survival. Some people found it easier to give in to hate and cruelty, and those who were unprepared for it had to suffer the consequences which came abruptly and without any warning.

Yesterday I pontificated about the audiences worldwide which turned the cynicism of “Deadpool and Wolverine” into a mega hit. Today I rest my case with the lack of empathy and interest in the past which left “Horizon” abandoned at the box office.

In a better world both fates would have been switched.

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