I saw Garbage live @ University of Delaware Bob Carpenter Ctr. Before TWINE was released. IMO 2nd best theme in series(After Goldfinger)
Damn I miss the "70ās.
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So this composer change is happening for sure then ?
No, theres no confirmation either way - just rumours
The admins of the other place believe itās Zimmer and not Balfeā¦
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I absolutely adore that you refer it to as ā the other placeā. 
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I only ever do that because other people on here seem to 
Never miss an opportunity to make a Twilight Zone reference.
Is it how rod sterling referred to The Outer Limits? 
So āthe other placeā is saying itās Zimmer and JBR is saying itās a factory minionā¦ If true I guess Zimmers too busy, but by giving his factory the gig heās made a hollow promise to āoverseeā it.
Desperate times.
Maybe they had a great time working with Steve Mazarro on THE RHYTHM SECTION and invited him back.
Zimmer is known for collaborating with other guys in his factory anyway, so not even Nolan gets full Zimmer.
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Call for desperate housewives? 
ā¦if theyāre hoping to attract Nolan for Bond 7, having only Nolan and his immediate family (Emma Thomas and Jonathan Nolan) be first timers (in regards to his normal go-to) on the series, might be an attractive proposition.
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Maybe itās like Blade Runner 2049, with Zimmer and one of his underlings like Wallfisch on the cover, with the latter taking the lead on actually doing the score (and getting credit above Zimmer in the final film) and Zimmer producing/overseeing/helping with the themes.
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Wallfisch is one of Zimmerās most gifted protĆ©gĆ©es. Wouldnāt mind him doing the score.
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Tbh i had no idea that Zimmer hadnāt led the BR 2049 score (which i thought was magnificent, if not as good as Vangelis - the highest of benchmarks).
Iād be happy for whomever led BRā49 to do NTTD.
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If trueā¦I meanā¦what were they expecting? He has a really interesting sound that I personally would not have thought of as an obvious fit for Bond. Oh well, hopefully heās okay and theyāve found a suitable replacement.
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Wellā¦this is a ātroubled productionā after all. The rideās not over yet. 
But I think itāll all work out in the end.
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Yeah Iām pretty confident whatever issues have come up wonāt be noticeable in the final product. The score was the last piece I was feeling a little iffy about. Romer is great but his style of sound was not what I wanted from the grand finale. At this point Iām honestly hoping for a fairly liberal dose of the Bond theme. We really havenāt gotten that yet and Danielās Bond has earned it.
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Without hearing Romerās score, in theory I say this: If the Bond team arenāt feeling something Iād rather they say so early on and make the change, rather than stick with something they donāt like/isnāt working just because. It seems like that has happened. Theyāve got plenty of time to work this out. Iād also rather the complete vision of a composer be realised on screen rather than a watered down compromise.
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