News on NO TIME TO DIE (no spoilers)

Ahem, lets hope not, hey :wink:

Been on actors side and writers side - both are made to feel like they are the least important part of the production. Directors, I’ve been told, are made to feel the same by producers. I think it’s in the funders best interests that everyone knows who is fitting the bill…

Weirdly, the most accurate depiction I’ve seen is the Supernatural episode “Hollywood Babylon” with the man from accounting giving a list of demands whilst everyone else tries to bite their tongues.

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Good to here it from the horses mouth as it were.

No offence, and for all I know you could well be a household name, but it was these kind of ‘stars’ I was referring to:

The ones with their own personal driver; fashion designers plying them to wear their brands; holy rays of light (and toilet paper) pouring forth from their bankable backsides…

The rest of us - the writers, directors, actors and editors can all stand in line while the Exec has St. Peter check if our name’s on the list. If it is we can shut up and take a cheap seat at the back:

“Yeah, sure I love your script, it’s a masterpiece, but can you open a movie?”

“Yeah, sure I loved the last movie you shot, but can you open a movie?”

“Yeah, sure I loved that supporting part you played, made me cry, but can you open a movie?”

“Yeah, sure I loved your last… Say, what do you do, again? Editor! Who the f**k let him in?”

“Ah, now here we are, the STAR, I loved that popcorn flick you did last summer, don’t worry about those nasty reviews, my 8 teenage daughters saw it 3 times. Yep, you can open a movie?”

The rest of you bow down and be grateful that you’ve got a NAME attached who can open your movie, so it’s a green light!

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Does that mean no more Tom Ford as well?

:frowning:

Oh yeah. That guy. Todd from marketing (not actual name)

I remember there was a push a few years ago to remove “good old star power” (an actual phrase by Todd) with the performance of Will Smith and Tom Cruise movies as “evidence” that those days were over…then Robert Downey Jr and The Rock were able to make patently bad ideas into success stories. So now Todd is back insisting certain stars need an extra close up to “make the scene pop” (the response was “oh, sure thing Todd, we’ll stop filming till he gets here so we can get a close up for this scene he’s not in…how long is a flight from LA to Heathrow?”)

Fortunately (with one exception) when I have met “stars” they tend not to buy what Todd is selling, remembering how they were treated just a few years before, when they weren’t “the hot new thing!”

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It probably provides no solace - but in Germany it´s absolutely the same. And we don’t even have stars, only better known actors who are called stars.

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Not many businesses would survive such logic, but somehow show business thrives on it. Mad world!

Sorry to here that! Plenty of disfunction to go round, I guess.

There’s certainly nothing stopping the new costume designer from using Tom Ford pieces, especially if that’s what DC wants…

I should point out the director was being sarcastic when he said that…whether or not Todd realised that is another question…

I think it´s high time that Craig should wear a safari jacket. That is exactly the kind of nod to previous films the audience is eating up.

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Anthony Sinclair actually came out with a modern one about a year ago!

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And what about the playsuit from Goldfinger?

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Have your morning Jamaica Blue Mountain :joy:

Along with a Navy blazer … I would much prefer to see these nods to history as opposed to another outing for the DB5

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Not sure if anyone but Connery could pull that look off

I should have added this to my posts: :rofl:

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I’d like to see Craig in the Commander uniform, even if that’s unlikely to happen.

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And it was the perfect response. But I can imagine the Todds I’ve encountered replying with either,

“11 hours - make it happen!”

Or, “Don’t be obtuse!”, as if I’m the one being outrageous.

Sadly I’ve never heard, “Yeah, you’ve got a point, that was pretty dumb of me. Thanks!”

Todd’s response was the “you’re the unreasonable one” type, but he wasn’t there till the end of production. Fortunately a relationship with this particular director was more important to the funder than one with Todd from marketing.

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