Rank the James Bond 007 performances

This week’s ranking category is James Bond 007 performances–that is, the performance of each Bond actor in their respective films. Once again, Never Say Never Again is eligible to be included. Personally, I find this one of the harder categories to judge.

So how do you rank each of the James Bond actors’ performances?

Here’s mine:

  1. Roger Moore – THE SPY WHO LOVED ME – Growing up, Moore was my favorite James Bond and he is in total command here. Everything he does is suave, confident, and effortless, and his confrontation with Anya Amasova when he admits to killing her lover is spot on. It’s arguably, Moore’s best dramatic scene of the series. With TSWLM, he forever put to rest any doubts of his ability to be 007.
  2. Sean Connery – GOLDFINGER – Connery stamps his imprint on the series and breaks the mold. His Bond is iconic for a reason and Goldfinger showcases that. Like Moore above, Connery is cool, confident, and effortless. He may be a prisoner for much of the film, but he is still in control.
  3. Sean Connery – THUNDERBALL – Connery may be even cooler in Thunderball than he was in Goldfinger. Honestly, I could go back and forth regarding which of his performances on those two films are better. In Thunderball, Connery is THE MAN and he is thoroughly enjoying himself for perhaps the last time. Honestly, I think a good case could be made for any of these top three to be named as the best Bond performance of the series.
  4. Pierce Brosnan – TOMORROW NEVER DIES – This is my favorite Bond performance from my favorite 007. Brosnan is in complete command here, and he has good dramatic scenes with Teri Hatcher, particularly while waiting for her in his hotel room. Like those above, he exudes, coolness and suavity while making everything Bond does look effortless.
  5. Sean Connery – FROM RUSSIA WITH LOVE – Connery gives a great performance here. On a straight up acting basis, it’s arguably the best of his tenure and the best of the series. However, I overall rank it slightly lower than those above because he’s not quite as cool or makes things look as effortless in FRWL as the others did in their above films and I tend to like my Bond actors performing like those top four efforts.
  6. Daniel Craig – CASINO ROYALE – There may have been doubts among some about his casting–I for one was willing to give him a chance even if he wasn’t my top choice–and he came out blazing. This is the best debut performance of any 007 actor. Craig nails Bond in his and 007’s very first mission. It’s not the polished Bond we’ve come to know, but despite the rough edges it’s all there and Craig perfectly hits all the right notes.
  7. Roger Moore – FOR YOUR EYES ONLY – Moore begins to show his age here, but it is not detrimental to the film. This is a more serious, low-key Bond adventure and Moore does a great job in the role. He has great scenes with Carole Bouquet and Topol, but his best comes when he kicks Emile Leopold Locque’s car off a cliff. Moore plays it perfectly, and it is one of Bond’s coldest kills.
  8. Roger Moore – OCTOPUSSY – Once again, Moore’s age does not hurt the film. He still looks good and has a great rapport with Maud Adams. Moore is in complete control, and had it been his final film, he would have gone out on an all time high. And Bond’s confrontation with Gen. Orlov is terrific. It’s my favorite dramatic Moore moment of the series.
  9. Pierce Brosnan – DIE ANOTHER DAY – Brosnan’s performance is the best in the film. One of his best scenes is his entrance and confident walk through the Hong Kong hotel lobby despite his disheveled appearance. So Bond. People may have issues with DAD (I have some but not enough to dislike the film), but one shouldn’t have issues with Brosnan in it. He made the most out of what he was given.
  10. Sean Connery – DR. NO – Connery is firmly in control from the very first second on screen in the first Bond film. Connery IS James Bond and his performance gets the series off to a flying start. And his impeccable delivery of the iconic Bond…James Bond line is the best of the series.
  11. Pierce Brosnan – GOLDENEYE – Brosnan had to wait eight years to get his dream gig and he nails his debut effort. He has great scenes with Sean Bean and their final confrontation is one of the best of the series.
  12. Roger Moore – LIVE AND LET DIE – Moore smoothly slips into his 007 shoes in his debut film. Different than Connery and yet he still is his own Bond and proves that one doesn’t have to copy the original 007 to be successful.
  13. Roger Moore – MOONRAKER – Moore is at his most effortlessly cool and yet he and the film don’t grip me like the others above. Still, it is distinctly, unquestionably Bond. His best scene is climbing out of the centrifuge and collapsing against the wall. Well done.
  14. Pierce Brosnan – THE WORLD IS NOT ENOUGH – My least favorite Brosnan performance is still a good one. He is always entertaining, and he has good chemistry with Sophie Marceau.
  15. Timothy Dalton – THE LIVING DAYLIGHTS – My favorite Dalton performance is his first one. He’s a little stiff on the one-liners, but other than that he is very solid in his performance, which returns Bond to his more serious roots. And his confrontation with John Rhys-Davies’ Leonid Pushkin is a highlight of the film.
  16. Daniel Craig – SPECTRE – Craig’s most traditional Bond performance is my second favorite of his. In this film, as in CR, his 007 actually looks like he’s enjoying himself–the only two times of his tenure. As a result, they are my favorite performances of his.
  17. Daniel Craig – SKYFALL – I find myself ranking Skyfall and SPECTRE rather closely in many categories, and while I consider Skyfall the better made film, I tend to enjoy SPECTRE more because Bond seems to have more fun in it and, consequently, so do I. That is the result here. Craig may have acted better in Skyfall, but since he isn’t having as much fun in it, I rank his performance below that of SPECTRE’s.
  18. Timothy Dalton – LICENCE TO KILL – My favorite Bond film, but, strangely, not because of Dalton’s performance. I love the plot, the villains, the main girl, and the stunts to name a few. Dalton isn’t bad in it, but the revenge plot, while great, leaves him a little too serious for my preference.
  19. George Lazenby – ON HER MAJESTY’S SECRET SERVICE – Lazenby isn’t perfect, but for a novice actor, he does a really good job. I wish they wouldn’t have dubbed him for a good bit of the movie because I think he was perfectly fine the rest of the film. He has a good physicality for the role and he did a good job with what one-liners he got. And he absolutely nailed the pivotal final scene.
  20. Sean Connery – DIAMONDS ARE FOREVER – Connery’s first return is memorable and helped set up the more comical Moore years with some witty dialogue. Nevertheless, Connery dominates the screen and is enjoyable to watch. You can’t help but have a good time watching DAF.
  21. Sean Connery – YOU ONLY LIVE TWICE – Connery’s worst performance, and yet it is not as bad one might think. There are a handful of moments where he seems bored with the role and they do stand out. And yet, the rest of his performance is not that far off from what he’d done before. He still dominates the scenes he’s in and is enjoyable to watch.
  22. Roger Moore – THE MAN WITH THE GOLDEN GUN – Moore does ok with what he’s given to do, but the screenplay is clearly not tailor-made to his strengths. Not helping matters is the small scale scope of the film which is rivaled only by the original Bond film Dr. No. As a result, the film seems a bit underwhelming which inevitably has an effect, for me, on Moore’s performance.
  23. Sean Connery – NEVER SAY NEVER AGAIN – Connery returns one last time to star in an “old Bond” adventure. It’s not as glamorous or as exciting as Thunderball, yet Connery does what he can with it and brings his irresistible Bond charm. His age detracts a bit from his performance for me, but it is still the better “old Bond” one for me.
  24. Roger Moore – A VIEW TO A KILL – Now it’s Moore’s turn for an “old Bond” adventure. I find that his age detracts even more from his performance than Connery’s in NSNA. In part, that’s because he looks older than Connery (which he was–by about five years in their respective films) and because his stunt team is much more noticeable in AVTAK than any may have been in NSNA. As a result, I have a hard time overlooking either performance-wise, which helps drop him to here.
  25. Daniel Craig – QUANTUM OF SOLACE – An overly serious Bond out for revenge. Only it was done before (LTK) and done better (Dalton). This time, Craig’s Bond is even more serious and–dare I say it–less fun than Dalton’s was. And the super-quick editing and shaky cam don’t help show off whatever acting Craig may be doing, especially early on in the film. As a result, it’s not my preferred version of 007.
  26. Daniel Craig – NO TIME TO DIE – An emotional Bond. Again done before and done better (OHMSS, CR). Those two films did it right. NTTD gets it wrong. And Craig seems to be playing more himself than he is Bond. A definite no-no. So with all that being the case, this is my least favorite Bond performance.

So what are your James Bond 007 performance rankings?

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Hey, great one! I will have to think (what, me?) about it and will come back to this!

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My favourite Connery performance is still FRWL’s. I like there’s still a trace of him exploring the character, not quite sure where it’s going to lead or how it’s going to end.

Moore’s TSWLM is probably the perfect balance, but I tend to prefer his MR portrayal of 007. Both are very close to an ideal cinematic Bond. In fact I’d have been delighted had Eon said more often they wanted back to the spirit of THE SPY WHO LOVED ME and MOONRAKER.

My preferred Dalton performance is still TLD. There’s much to like here and the portrayal isn’t handicapped by selling a shoestring budget as a big colourful adventure entertainment. Dalton knows he’s helping out the Broccolis and he’s simply delivering

Brosnan’s best Bond isn’t the smarmy THE TAILOR OF PANAMA spy, but it ought to be*. Of his Bond films it’s a draw between TND and TWINE. He’s comfortable in both - a lot more than he was in GE - and the later film’s shortcomings aren’t his fault.

Craig’s performance is solid throughout. But the most fun watching him is for me QOS. He undercuts so many Bond tropes while he’s also delivering an intriguing variation on what we thought Bond was. The film solely suffers from being too centred on Bond while the villains are either weak or sideshow figures. Bond really foiling a clear and present Quantum threat would have been needed - but Craig is great and playing with gusto here.

*Actually, he’d also be good as the eponymous tailor.

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I agree with @Dustin completely on everything he wrote, except my favorite Connery performance is Thunderball, where he exudes a charismatic confidence that is lightning in a bottle.

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For Moore, I will take MR, which is peak Moore Bond.

For Connery, FRWL through TB for Connery Bond 1, and DAF for Connery Bond 2.

For Dalton, TLD is best.

Brosnan Bond I would have to rewatch, since my memories are vague.

For Craig Bond, I opt for SP–the robot coming to life, and the Frankenstein assassin discovering his humanity.

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The best:
FRWL

The coolest:
TB
CR

Most interesting:
OHMSS
TMWTGG
LTK
GE
NTTD

Most fun:
DAF
MR
NSNA
TND
DAD

I’m open to elaborate on any of these selections.

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Feel free

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Okay, I threatened to do this, so…

MOONRAKER
MooreBond at his most relaxed, offering everything a Bond should offer.

THE SPY WHO LOVED ME
Moore hitting it out of the park, fun but still hints at seriousness.

GOLDFINGER
Connery‘s freshest mix of everything his Bond could do.

NO TIME TO DIE
Surprisingly, especially for me, this brings out the best in Craig because it offers everything which came before, adding world weariness and hope and despair and finally inner peace. If I weren‘t such a childish sucker for happy ends this would be my no.1 choice.

DIAMONDS ARE FOREVER
Connery at his most relaxed and self-assured best.

LIVE AND LET DIE
Moore nailing the role from the start and differentiating it from Connery - a huge task and success.

FOR YOUR EYES ONLY
Moore beginning to show his age, but with grace and cool determination.

FROM RUSSIA WITH LOVE
Connery being tough and vulnerable.

DR.NO
Connery nailing the role from the get-go.

SKYFALL
I do believe in the third outing perfects the portrayal-theory, and here Craig shines with everything Bond had been before - and adding an emotional slow burn which raises the stakes.

THE LIVING DAYLIGHTS
Even if it was written for Moore, this brings out the best in Dalton because his approach has to battle the familiar Bond persona he now has to grow into.

OCTOPUSSY
A reliable and always enjoyable force in a tale which combines pure escapism and one of the most shocking ticking clocks of the series.

THUNDERBALL
Connery proving he can exude charisma just with his little finger.

THE WORLD IS NOT ENOUGH
Brosnan nailing his Bond portrayal by adding more personal dimensions.

DIE ANOTHER DAY
The hint of grey at his temples becomes him. A seemingly effortless therefore very difficult but absolutely successful portrayal of Bond, within a story which goes for the jugular of absurdity. You try to keep a straight face here. It‘s really great acting.

TOMORROW NEVER DIES
Brosnan having more fun than before.

GOLDENEYE
Brosnan succeeds with charm and humour while allowing a hint of ruthlessness into the portrayal without turning off viewers seeking good ol‘ Bond entertainment.

SPECTRE
Craig being more self-assured and laid back actually works in favour of a story which again could have been too dour and revenge-spiteful.

QUANTUM OF SOLACE
There is more to CraigBond here than before, a certain sadness fueling his rage, allowing for sardonic humour, and it is very alluring.

CASINO ROYALE
Yes, he‘s fresh and difficult and comes with better actor pedigree. And he is very good in this. But the charm is not there yet, for my taste.

ON HER MAJESTY‘S SECRET SERVICE
Lazenby fumbling his way through this way more difficult role than most people acknowledge, proving attitude and swagger go a long way and a great movie editor can mold a performance into something unexpected. In this case: a seasoned yet young and stubborn Bond showing feelings.

THE MAN WITH THE GOLDEN GUN
A tough Moore is just as great as a joker Moore, but this just did not turn out to be the model for the future.

A VIEW TO A KILL
Yes, an old Bond, probably the oldest Bond, but going against a young psycho villain brings out the gentleman again, and nobody does that better.

LICENCE TO KILL
Dalton is always great, no argument, but a revenge story often asks for a narrower spectrum, and that works against the public perception of him.

YOU ONLY LIVE TWICE
Connery is always Connery, but this time he was glad to finish filming, and it shows.

EDIT: I forgot (really?) NEVER SAY NEVER AGAIN. And really, for me, Connery´s performance is the best thing about this film (aside from the performances of Brandauer and Carrera). Within the Bond series I would put it between GOLDENEYE and SPECTRE.

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My explanations:

FRWL Connery is a vibrant young man full of heart but is also tough when required. An elevated version of what he already nailed in Dr. No, and I think the best performance in the series.

TB Connery is an effortless assassin with a masculine aura that is very hard to match. But I think CR Craig gets the closest. Cocky, full of energy and mixing things up in the most refreshing way. Similar but different. It was a powerhouse of a debut.

These in the ‘interesting’ category are unique or through the narrative allow certain aspects to seep through. Lazenby is on this list for obvious reasons. TMTWTGG Moore is an outlier in his tenure with him being rather aggressive and irritated. It’s a small moment in time for his Bond that I’m rather fascinated by.

LTK Dalton was the first time a Bond felt off the chain and wild, particularly his interrogation of Pam on the bed. In some ways it doesn’t feel like Bond but in a lot of ways it also does, which draws me in.

GE makes the grade here because of Brosnan being less comfortable than other performances, which like Lazenby, I think adds to the film. He still has confidence but under the surface you sense he’s troubled about Trevelyan. There’s a haunted detachment that works in a different kind of way and I think Serra’s score adds to that.

NTTD is the most real, most human Bond I’ve seen. If CR didn’t exist this would be my favourite performance from him. His reaction to being poisoned then limping away in acceptance is a scenario he exclusively owns. His numb reaction inside the DB5 as it gets blasted by machine gun fire…so much I connect with on an emotional level. An incredible Bond.

Moore is known as the comedic Bond, but I think Connery was extremely entertaining in this mode, especially during DAF and NSNA. He’s older, relaxed and full of confidence with some muscle still at his disposal. The dialogue is hilarious and he sells it.

MR is Moore at his peak in my opinion. This is his Thunderball and Roger made the role cool in his own way.

TND is perhaps the most underrated film in the series and Brosnan is a joy to watch in it. Laughing as he drives the BMW by remote control, he’s having a fun time and I think it’s a nice balanced incarnation of the character. DAD is his best performance though. He had full confidence and timing and was at the height of his powers. Brosnan features three times in my list and I’m happy about that.

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