Continuing with a new James Bond list, this week we’ll be giving our rankings of the main titles sequences of the series. As usual, Never Say Never Again is eligible to be included with the EON series.
So how do you rank the main titles sequences?
Here’s my list:
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CASINO ROYALE – (Daniel Kleinman)
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GOLDENEYE – (Daniel Kleinman)
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THE SPY WHO LOVED ME – (Maurice Binder)
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SKYFALL – (Daniel Kleinman)
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THE WORLD IS NOT ENOUGH – (Daniel Kleinman)
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MOONRAKER – (Maurice Binder)
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THUNDERBALL – (Maurice Binder)
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LIVE AND LET DIE – (Maurice Binder)
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TOMORROW NEVER DIES – (Daniel Kleinman)
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FROM RUSSIA WITH LOVE – (Robert Brownjohn)
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DIE ANOTHER DAY – (Daniel Kleinman)
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NO TIME TO DIE – (Daniel Kleinman)
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SPECTRE – (Daniel Kleinman)
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FOR YOUR EYES ONLY – (Maurice Binder)
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ON HER MAJESTY’S SECRET SERVICE – (Maurice Binder)
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A VIEW TO A KILL – (Maurice Binder)
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OCTOPUSSY – (Maurice Binder)
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DIAMONDS ARE FOREVER – (Maurice Binder)
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YOU ONLY LIVE TWICE – (Maurice Binder)
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THE MAN WITH THE GOLDEN GUN – (Maurice Binder)
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GOLDFINGER – (Robert Brownjohn)
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THE LIVING DAYLIGHTS – (Maurice Binder)
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NEVER SAY NEVER AGAIN – (R/Greenberg Associates, Inc.)
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QUANTUM OF SOLACE – (MK12)
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LICENCE TO KILL – (Maurice Binder)
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DR. NO – (Maurice Binder)
Daniel Kleinman’s efforts are excellent, especially those top four of his I mentioned, and he should continue in the series. Maurice Binder did some great work too (most particularly with the gun barrel invention), but he was pretty much on fumes after AVTAK. But I have to admit, when I rewatched all these, that TLD & LTK, while certainly not as good as his previous efforts, nevertheless weren’t quite as bad as I remembered either. Robert Brownjohn only did two films, but he should get a lot of credit for helping create the look of the Bond main titles sequence or even arguably unleashing the creativity in Binder to make them into what we all know and love. MK12 did an okay job, but it largely pales in comparison to the rest of the series. And R/Greenberg Associates didn’t do much in their one film other than lay the titles over the images, but under the production circumstances, I’m sure they didn’t have many options available to them. At least those images assist their effort.