Okay, CBNers. Let’s start a GoFundMe and make this happen for Dalton! We can at least get a Cameo with Craig going, no? ![]()
The song won Variety’s Best Film Song of the Year and Zimmer won Best Composer of the Year (for NTTD and Dune)
The song just won the Golden Globe for Best Original Song
Bodes well for the Academy?
Nowadays a Golden Globe doesn’t mean that much anymore.
Cruise gave his three ones even back.
Congratulations to Billie Eilish on winning best song at the Oscars.
What a surreal ceremony…Will Smith punches Chris Rock, then Smith wins best actor award, Williams sisters nipple slip, Liza Minnelli & Lady Gaga, Coda, Anthony Hopkins, Judi Dench…it had it all…!!
I really thought Lin Manuel Miranda was going to win the Oscar for best song (he would 100% deserve it). But congratulations to Billie Eilish. No Time To Die is an instant classic and now that makes 3 in a row for Bond themes.
Bond song = Oscar.
Courtesy of Variety magazine’s official Twitter account comes footage of Billie Ellish and Finneas O’Connell watching as the plaques for their Oscar statuettes are engraved and applied to the statuettes at a post-ceremony party
And taken from a separate video on Variety’s Twitter comes this close-up look at the plaque for Billie and/or Finneas’ statuettes.
You could tell from her speech and the engraving ceremony that she is genuinely happy, proud and excited. Good for both of them.
Congrats, awesome! ![]()
Though it evidently puts some pressure on further entries both for the singers/songwriters as on the entire production. A Bond song that doesn’t score an Oscar may be seen as disappointment, especially if it’s a good one. And each new film will have to strive to at least get one Academy Award in whichever category.
Exactly. Three consecutive wins - great but…
Just from a songwriting perspective, one might also argue that none of those three were really the best of the nominees. But since the Oscars like every award are going for the most popular, it is at least a sign that the Academy is aware of Bond´s popularity.
It can and will change, of course. And quite frankly, of all the Craig era songs, “You know my name” was easily the best written one.
And the most exciting. It was the perfect song to pump everyone up about the next era which had testosterone bursting off the screen. I’m all for going in the rock direction again for Bond 26.
It’s still my favorite of the Craig-era films. It generates its own excitement, especially paired up with the title design, with horns added for the opening title sequence. The original version of the song, sans orchestration, doesn’t do much for me.
Odds are they will.
Since Roger Moore took over, every 007 actor’s debut has featured a rock tune that got everybody’s blood pumping at the start of the film with an uptempo beat – Moore’s Live And Let Die, Timothy Dalton’s The Living Daylights, Pierce Brosnan’s GoldenEye, and Daniel Craig’s You Know My Name. I’m sure the same thing will happen for James Bond #7’s debut.
Hans Zimmer’s score has been nominated for a Grammy…
The song already won the Grammy last year.
Grammy eligibility windows are strange.
I think in this case it’s just because the song got released as a single at the beginning of '20 but then the movie which features the score was released at the end of '21.
A quirk of the pandemic…

